Want to read the recent BC government report on money laundering, but you’re not crazy about scrolling through a 250-page PDF? Just like we did with the DTES Local Area Plan, Truth And Reconciliation Commission summary, and the Site C Inquiry, we’re making bound hardcopies for you to read.
At our summer residency we’ll be selling these on a pay-what-you-can basis ($15 suggested). That means you can visit us at the Libby Leshgold Gallery at Emily Carr University (520 East 1st Avenue in Vancouver) and pick one up for pocket money.
Or, if you want to order single copies online, they’re $15 plus a nominal shipping fee. If you want to order a larger quantity for shipping, please email us at firstname.lastname@example.org and we’ll work out the shipping and printing cost.
Join us this summer at the Libby Leshgold Gallery for It’s difficult to put a painting in the mailbox, an exhibition devoted to exploring publication as an artistic practice. This exhibition marks the first iteration of a new programming initiative, laying the groundwork for the future development of a Summer School for Artists’ Publishing. The Summer School will expand on READ Books’ mission to create a platform and social space for experimental practices in publication by bringing leading local and international artists and practitioners together to present exhibitions, seminars, and public events.
This summer, READ and Publication Studio Vancouver (PSV) will host a series of events including workshops, launch parties, panel discussions, and talks. Participants include: Danielle St. Amour of Art Metropole; Jacquelyn Ross of Blank Cheque Press; Casey Wei of agonyklub; Emma Metcalfe Hurst and Christian Vistan of SPIT; Jonathan Middleton of Distribution Office; Ryan Smith of Brick Press; Louisa Bailey of Publication Studio London; Kristy Trinier of Publication Studio Edmonton; and Patrick Kiley of Publication Studio Hudson. During this time, PSV will be making books in the gallery while interacting with artists, students, and members of the larger public. We will present a diverse range of artists’ publications drawn from Emily Carr University’s Ian Wallace Collection, the Banff Centre’s Paul D. Fleck Library and Archives, and from private collections.
It’s difficult to put a painting in the mailbox is a quotation from John Baldessari’s artist book Ingres and Other Parables (1971). The book is comprised of short stories about the art world and our borrowed exhibition title is the punchline-like moral of “The Best Way to do Art”, a parable about an artist experiencing paintings by Cezanne in person for the first time after only having seen them reproduced in books. Although Baldessari’s sentence is from 1971, it touches on key ideas and issues that artists producing publications—be they digital or paper—continue to consider, work or even grapple with such as audience, circulation, and distribution. Lucy Lippard echoes Baldessari’s maxim in her assertion of primary information, that an artist book is an artwork as such (as opposed to a book about an artwork).
Publication Studio Vancouver has been publishing books and projects by artists and writers they admire since 2010. PSV is part of an international network of Publication Studios made up of studios in cities such as London (UK), Glasgow, Rotterdam, São Paolo, San Francisco, Hudson (NY), Hong Kong, Edmonton, and Guelph (ON). Publication Studio is a laboratory for publication in its fullest sense—not just the production of books, but the production of a public.
READ is an ongoing public program of the Libby Leshgold Gallery. It is a social space for the fostering, cultivation, and promotion of publication as an artistic practice and aims to further the discourse around and support the production of contemporary art and design. READ also serves as the bookstore for Emily Carr University and the wider community.
Friday, March 2nd, 7-9pm
Selectors’ Records/Publication Studio Vancouver
8 East Pender Street, Vancouver BC
Join us to celebrate the launch of Yesterday Was Once Tomorrow (Or, A Brick Is A Tool), co-published by Publication Studio and Plug-In ICA, and edited by Kegan McFadden. The evening will feature a brief presentation by the editor, and music by DJ Lyndsay Pomerantz.
Yesterday Was Once Tomorrow is a document of, and writing about, a unique moment in art writing in Canada. During the 1990s, artist-run magazines published criticism, news, and artists’ projects in several cities. YWOT concentrates on six of them: Texts (Calgary, 1989-1993), Flower (Toronto, 1992-1996), Talking Stick First Nations Arts Magazine (Regina, 1993-1994), Boo (Vancouver, 1994-1998), The Harold (Winnipeg, 1995-1997), and Cube (Montreal, 1996-1998). Included are histories, critical essays, indices of the magazines, and a section reproducing 72 of the original covers. Included are French translations of the essays, and a four-colour poster.
Yesterday was Once Tomorrow (or, A Brick is a Tool) first appeared as a touring exhibition which debuted at Plug In ICA (2015), and toured to Artexte (2016) and The Banff Centre (2017). Included, in English and French, is a central essay by curator Kegan McFadden reflecting on his curatorial approach and methodology while the main body of the book operates in a similar manner to the exhibition, consolidating the magazines as content and material. Brief recollections from those involved with each of the six magazines coincide with an index chronicling their output, while covers of every issue are scanned and reproduced for posterity. A prescient essay about the state of art criticism in Canada by Bruce Grenville is re-printed thirty years after it originally appeared, followed by a newly commissioned response from Jeanne Randolph, in addition to artist projects and other poetic excerpts from each of the publications.
200 pages with colour poster insert 16.3 cm x 22.9cm ISBN: 9781927385487
Introduction by Jenifer Papararo
Foreword by Gwen L. Allen
Anecdotes as Research & Letting Things Die by Kegan McFadden
De l’anecdote comme matériel de recherche, et laisser mourir les choses
par Kegan McFadden
chill by Charles Cousins (Texts, issue 9, 1993)
Memoir of a Texts Gal Friday by Amy Gogarty
Souvenirs d’une fidèle servante de Texts par Amy Gogarty
Texts (Calgary, 1989-1993) Index
This is True to Me by Rob Flack with Ann Dean (Flower “10”, 1993)
Recollections on Flower by Ann Dean
Souvenirs à propos de Flower par Ann Dean
Flower (Toronto, 1992-1996) Index
Circle the Wagons by Marilyn Dumont (Talking Stick, vol. 1 no. 2)
All My Relations by Marjorie Beaucage
Toutes mes relations par Marjorie Beaucage
Talking Stick First Nations Arts Magazine (Regina, 1993-1994) Index
Kathy’s Requiem by Geoffrey Farmer (Boo 11, 1997/98)
Boo Magazine Recollection (English/French)
Boo (Vancouver, 1994-1998) Index
A coordinatorial from Jean LeMaître (Harold, June, 1996)
The Harold by Cliff Eyland
The Plug In Harold par Cliff Eyland
The Harold (Winnipeg, 1995-1997) Index
Pierre Beaudoin and François Dion on Cube [Insert]
Bonjour Madame Sagan by Annie Martin (Cube 3-4, 1997)
Cube (Montréal, 1996-1998) Index
Yesterday was Once Tomorrow, in Covers
Art Criticism in Canada by Bruce Grenville (1986)
Is Ficto-criticism an Invasive Species? by Jeanne Randolph (2016)
We now have printed and bound copies ready of the British Columbia Utilities Commission’s final report on their inquiry into the planned Site C Dam. For those of you who are following this inquiry, you probably know that the executive summary and final report were released on November 1, and that the 300-page PDF is available online. Not everybody wants to read a complex document on their screen, so we’re doing what we did with the Downtown Eastside Local Area Plan and the Truth and Reconciliation Commission report: you can drop by and get a copy on a pay-what-you-can basis, or order one from us online for $15 plus $10 shipping (and if you want several copies, contact us directly at email@example.com and we’ll work something out).
Publication Studio Vancouver is pleased to announce the inaugural Scorpion and Felix Prize, a book prize for emerging artists, is to be awarded to Tracey Vath. Vath is a recent graduate of Langara College’s Fine Arts Program. She will receive a prize of $500 and her book will be developed, published and distributed by PSV.
Honourable mentions go to Scott Elliot, an Irish artist currently based in Norway, and two Vancouver-based artist teams made up of Alina Senchenko and Bára Hladíková, and Stacey Ho and Elisa Ferrari, respectively.
PSV received many outstanding projects from North America, UK, Europe and Asia. This has led to the formation of our new Scorpion and Felix Series for emerging artists’ publications. The prize winner and honourable mentions will be published together in this series.
Thank you to all who applied and congratulations to Tracey Vath, Scott Elliot, Alina Senchenko and Bára Hladíková, and Stacey Ho and Elisa Ferrari.
The Scorpion and Felix Prize is named after an unpublished comic novel written by Karl Marx in 1837 when he was 19 years old. Publication Studio Vancouver is happy to be partnering with artist Dan Starling on The Scorpion and Felix Prize and on The Scorpion and Felix Series.
About Publication Studio Vancouver
Publication Studio Vancouver publishes books on demand, creating original work with artists and writers we admire. PSV is part of a part of an international network of Publication Studios in other cities including Berkeley, Hudson (NY), Minneapolis, London (UK), Rotterdam, São Paulo, Glasgow, Edmonton, and Guelph. Publication Studio is a laboratory for publication in its fullest sense—not just the production of books, but the production of a public.
Agony Klub and Publication Studio Vancouver are pleased to present Whitney Houston, et al: essays around popular music. Inspired by Bret Easton Ellis’s chapter on Whitney Houston in his controversial novel, American Psycho (Vintage, 1991), editor/author Casey Wei invites five writers to explore their own relationships to popular music, resulting in essays on Marianne Faithfull, MIA, Kanye West, The 2016 Mnet Asian Music Awards, Wiz Khalifa, My Bloody Valentine, Patti Smith, and more by Brit Bachmann,Gabi Dao, Olivia Dunbar, Steffanie Ling, and Karen Zolo. The authors use personal experience to delve deep into the ambivalence of fandom, mythology, appropriation, and appreciation.
Please join us for the launch of this book, the sixth release by Agony Klub, at 8 East Pender Street on Wednesday Jan 25. At 8pm, authors will read from and present on their texts. Refreshments will be served.
Join us for the launch of Tyler Brett’s new book Every Building & Some People in Bruno SK circa 2011 at Publication Studio/Selectors Records, 8 East Pender Street, Vancouver BC.
The book is a series of matter-of-fact representations of everyday life in the town of Bruno, suitable for colouring by adults or children or for quiet enjoyment. Printed and bound on-premises by Publication Studio, it is available for the reasonable price of $20, and will be available for online order after the event.
Bruno Saskatchewan is a town of roughly six hundred people located about one hour east of Saskatoon. In addition to all of the public service and amenity buildings, the drawings in this book document every one of the town of Bruno’s shops (all of which were locally owned and operated) as they existed in 2011. Some of the drawings are also of, or include, shopkeepers, or members of the community who were associated with the buildings depicted. Tyler Brett lived on Main St. and worked in and around Bruno for seven years as a carpenter assistant and occasionally as one of the local shopkeepers. Since leaving Bruno in 2013, many of these buildings and businesses have changed ownership, and some of the people drawn have since passed away. This book is a tribute to all of them. Brett now lives in Sointula BC on Malcolm Island where he works as a paramedic and runs The Sointula Art Shed Artist Residency with Kerri Reid, their son Teddy, cat Marvin and six chickens.
Just a quick note: we’re moving out of our storefront at 222 East Pender Street. Thanks to our neighbours in the studio, our next-door neighbours at Access Gallery, 221A for setting up this great facility in the first place, and to the Yee Fung Toy Society for watching over the building. We’ll miss you all, even though we won’t be far away.
Our new premises are being set up now. We’ll be sharing space with Selectors Records at 8 East Pender, where we will continue to publish and bind books, but with a different soundtrack. Watch this space for the announcement of our opening.
TIZIANA LA MELIA
ORAL LIKE CLOAKS, DIALECT
Selected Writings: 2005-2015
Edited by Steffanie Ling
Published by Publication Studio Vancouver
Publication Studio Vancouver
222 East Georgia
Tuesday, March 22
Readings by Jo Cook, Kara Hansen and Tiziana La Melia.
Please join us at Publication Studio Vancouver for the launch of Oral like Cloaks, Dialect a selection of writing by poet and artist Tiziana La Melia. This collection of her texts includes poetry, scripts, reproductions of short-run publications, and writing for exhibitions and artists, as well as an array of collaborative writing conducted over the past decade. In referencing Hollywood cinema, literature, costume history, insect anatomy, La Melia’s texts exercise dialects, changing outfits and modes of inquiry. In the way clothing inflects language in the pursuit of style or a role, ways of elaborating oral and text based codes is as much a way to inhabit identities as a form of inquiry. The texts in Oral Like Cloaks, Dialect articulate the texture of speaking, reading and writing as vibrations, feelings and pulses translated into English.
Image above: from the series Summer Diagrams (2014 – ) by Katie Lyle