It’s Time Man, It Feels Imminent, 2009
Dublin-based American artist made this work based on a quote from a bystander at a political protest in Gainesville, FL in 1972. (It’s still time. It still feels immanent.)
Since 2003, Sarah Pierce has been using the moniker The Metropolitan Complex to describe her project, which uses a variety of platforms, including talks, papers, exhibitions, and archives, often opening up these structures to the personal and the incidental. Her work draws on the relationship between 1970s radical practices and contemporary art-making through the re-presentation of historical documents from protests and performances.
8.5 x 11 inches, published in an edition of 50